Tag Archives: Uncanny Magazine

Obligatory Hugo Post

Hey y’all! Long time, no see, huh?

For 2016 I did not have any awards-eligible works appear, but that doesn’t mean I won’t come on here to tell you who I think you should nominate for the final Hugo ballot.

Best Novel

Borderline – Mishell Baker

Is this the best debut novel I’ve ever read? Maybe. Is that question hyperbole? Certainly not! Borderline is the best book I read last year, and thankfully, it also came out in 2016.

If you like urban fantasy, read Borderline. If you don’t usually like urban fantasy, check it out anyway, because our protagonist is a disabled woman with Borderline Personality Disorder who ends up working with faeries.

Ghost Talkers – Mary Robinette Kowal

I was sold on this book the moment I heard the premise at a reading Mary did in SF back in 2015: mediums in the British army gathering battlefield intelligence from fresh ghosts during World War One. This book delivers on that promise in spades. There are lots of things I want to say about this book that are huge spoilers, so instead I’ll say this: I want Mary to write more in this world, and once you read this book, you will too. A Hugo nom can help make that happen.

Best Short Story

“This is Not a Wardrobe Door” – A. Merc Rustad, Fireside

This was the first short story I read in 2016, and the fact that it’s stuck with me these past 12 months should be an indication of how good this post-portal-fantasy story is. Seriously. It’s not that long. Go read it right now. LINK

“Our Talons Can Crush Galaxies” – Brooke Bolander, Uncanny Magazine

Short, violent, heartbreaking, triumphant. I love the hell out of this story. It’ll take you just a couple minutes to start loving it, too. Go! LINK

“The Green Knight’s Wife” – Kat Howard, Uncanny Magazine

Holy crap, y’all. This is a late addition, just rescued from my tab-purgatory today, and it’s just. Holy hecking eff, y’all. I love me some fabulism, and this right here hits that spot perfectly. Not your average wintertime story. LINK

Best Editor, Short Form

Lynne and Michael Thomas

The Thomases have done amazing work at Uncanny Magazine, which should be evident from the fact that Uncanny won a Hugo last year in its first year of eligibility. They’re quality folks.

Brian J. White

Brian is at the helm of Fireside, which has published some of the best fiction to come out in the past year. He is quality people.

Best Semiprozine

Uncanny Magazine

Uncanny has been publishing wonderful, vital fiction since issue 1, and this year has been no exception.

Fireside

Fireside has been on a roll the last couple years. They’ve published many of my favorite stories from many of my favorite authors. They also work really hard to make sure that their authors get paid and get paid well.

Best Related Work

The Women of Harry Potter – Sarah Gailey, Tor.com

Sarah’s series of essays is wonderful. You will be filled with feels and reminded that HP is maybe even more relevant today than it was when it was written. LINK

#BlackSpecFic Report, Fireside

This series of essays takes a powerful look at the state of speculative fiction today and the ways that racism is still present and insidious. LINK

Best Professional Artist

Galen Dara

Seriously, look at this cover for Uncanny.

issue10_mayjune16_coverfinal_med

“Bubbles and Blast Off” – Galen Dara, Uncanny Magazine, Issue 10

Portfolio

John W. Campbell Award for New Writers

Sarah Gailey

Sarah kinda exploded onto the scene a little while ago (I even talked up the first of her stories that I read on here), and she’s just continued to shine since that time. Recommended stories include “Look,” from the post linked above; “Haunted,” Fireside; and “Bargain,” Mothership Zeta.

I’ve undoubtedly left off things that you love and forgotten things that I love, so this post may be followed by addenda. And if there’s something that you love that you think I’d love, please let me know in the comments!

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Market Briefs: Uncanny

I write about Uncanny a lot. Probably because they’re one of my favorite markets for short fiction available today. So, for those of you whose twitter feeds are cluttered with retweeted jokes or maybe just forgot, Uncanny is currently open for submissions, and you should send them your favoritest story. If you’re unprepared and worried about how long you have to send in your story, the official* line is that they’ll remain open until the end of the month, so you’ve got about three weeks to get something out to them.

You can find their guidelines here.

 

*I tweeted at them to find out and this is what they told me.


A Canny Decision

Last year, I supported the first year of Uncanny Magazine on Kickstarter at a level that got me a guaranteed slot in one of Mary Robinette Kowal’s weekend intensive short story workshops. As a writer, that workshop was life-changing for me and my art. It also introduced me to a group of fellow writers who I’m proud to call friends and who I meet with regularly for story critiques and fannish talk.

Uncanny is currently running a Kickstarter for their second year of putting out amazing fiction, insightful nonfiction, great podcasts, and gorgeous cover art. And Mary is once again offering a couple of workshop slots. As of this writing, only one remains.

The point I’m trying to make if that if you want to support a great magazine and you also want to grok short story writing better, you should jump at this opportunity.

Help fund Uncanny Magazine Year Two on Kickstarter.


Math for Writers

So I just finished an intensive weekend workshop taught by Mary Robinette Kowal (and can’t quite believe that I’m back at the keyboard already).  I got a huge amount out of it, and I hope I can get back on my game enough to talk about it more here, but that’s for another time.  For the moment, I’ll just say, first, that if you get a chance to take one of Mary’s workshops, you really really should.  Your writing will thank you, and you’ll make some new friends.

Second, I wanted to share something that came out of the workshop that we talked about in detail, and which I then condensed into this handy (not a guarantee) formula.  If you want to know about how long a story you’re going to be writing, given an outline, just remember:

Ls=((C+L)*750)*M

In other words, the Length of your story (roughly) will be the number of Characters (C) and scenic Locations (L) times 750, further multiplied by the number of major elements of the M.I.C.E. Quotient (M) that you are focusing on.

This is, of course, a very rough calculation, based on the assumption that each Character or Location adds between 500 and 1000 words to your story, per major M.I.C.E. element focused on.  It shouldn’t be seen as some magical target goal that you must hit exactly and should never go under or over (especially since I’m using the middle-ground figure of 750 words, rather than either extreme).  Rather, it’s for planning.  If I want to put five characters and seven locations into a CE story, but I only wanted it to be 4K words, this would quickly tell me that I either have to adjust my goals or make some major cuts.


Market Opening: Uncanny Magazine

Hey everybody, sorry for the recent drought of posts, but real life has been keeping me away from blogging.  I’m not here to whine about anything, though; I’m here to let you know about a new market opening.

Uncanny Magazine is opening for submissions in just two days (that’s September 11th, 2014).  I’m really excited to have this new market opening, not just because I like having new places to send my stories, but also because I like having new places to read great fiction.  (Though I think that I failed to post anything about it at the time, I did recently help fund their Kickstarter.)

So, go get your best manuscripts ready, and help make the launch of Uncanny great.

Submission information is here.


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